(also suitable for other keyboard instruments such as harpsichord)
This A4 sized Piano and Keyboard laminated chart displays common note formations for major, minor, dominant seventh, minor seventh, augmented and diminished chords. The chart displays a total of 60 different chords across the 12 standard Western keys and is great for learning chords, studying harmony or completing your theory grades. The chart is clearly designed and makes a great resource for the budding performer. Postage Discount Pay nothing extra in postage when you order any additional charts from our growing selection. UK only.* Overseas discount available ** Delivery and Returns All our music charts are dispatched 1st Class by Royal Mail. Occasionally, we may upgrade to a faster or signed for service at no extra cost. For piece of mind, we also offer '14 day' returns. Please see the 'P&P and Payment' section for more details.
This installment of the jazz guitar chord charts series is the next step in chordal playing. I will show you how to derive chords from common scales and appropriate fingerings for each.
With the major scale, melodic minor scale and harmonic minor scale we will get a total of 21 chords...
few... that's alot!
Don't worry though. I'll start simple and build from there. No mysticism or magic here. Just chords!
So the approach is the harmonization of a scale to get the chords it contains. We simply add "stacked thirds" to get four-note chords on each scale degree.
As you may or may not know, the chords above are almost all impossible to play on the guitar (in this format at least)...
)-:
They're called "closed" voicings, try them on the piano when you have a chance. On the guitar, we need a different "spacing" between the notes AND we want to keep the root of each chord on the two bottom strings.
I wanted you to understand the process behind the following chord shapes and that is why I posted these jazz guitar chord charts on the website... Sooooo : We will use the first "C major 7th" chord (upper-left corner above) play the same notes (ex: C E G B) but in a different order (ex: C G B E) keeping C in the bass.
Check this out :
Et voilà!
This C major 7th shape will be the reference point for now. For the record, we call this a drop-2 voicing. A Quick Drop-2 Explanation : From a closed voicing, the second voice from the top is taken down an octave. Look at the spacing on the above C-G-B-E (on the right ...) The lowest (C) note was taken down an octave from its assorted closed voicing.
Let's play the drop-2 chords in three scales (major, melodic minor and harmonic minor) in the key of C.
Note:
-The "little triangle" means major 7th
-The "little circle" means diminished 7th
-The "dashed little circle" means minor 7th flat 5
This approach brings up two new chord shapes that were not part of the previous jazz guitar chord charts :
-major 7th with a raised 5th (spelled 1 3 #5 7)
-minor with a major 7th (spelled 1 b3 5 7)
They are both only "one finger away" from an chord that has already been discussed :
Good old major 7th ! (1 3 5 7)
Expanding on known chord shapes will be covered in other installments of the jazz guitar chord charts series.
...and another set of strings (with skip!)
Let's now proceed the same way with the bass on the 6th string. I will use the key of G to demonstrate another "spacing" between the notes of a chord. This one involves non-adjacent strings.
Et voilà again!!!
This one is the new point of reference and it's called drop-3 voicing. Notice the string-skip. A Quick Drop-3 Explanation : From a closed voicing, the third voice from the top is taken down an octave. Look at the spacing on the above G-F#-B-D (on the right ...) The lowest (G) note was taken down an octave from its assorted closed voicing.
So let's play the drop-3 chords in the three scales (major, melodic minor and harmonic minor) but in the key of G.
Note:
-The "little triangle" means major 7th
-The "little circle" means diminished 7th
-The "dashed little circle" means minor 7th flat 5
As in the drop-2 (the key of C), we get two "new" drop-3 shapes : major 7th with raised 5th and minor with major 7th.
Jazz Guitar Chord Charts Series : Wrap-up
So we now have the two basic voicings to play "chords in a scale". They sound good and are easy to play. To take full advantage of this approach, I strongly suggest you go further than the written examples. You can cover more territory on your fretboard by ...
-1-
Use all the frets you have Going further up or down on the fretboard in the same key until you reach the nut (or the bridge!!!)
-2-
Use different set of strings Playing the same chords in the same order but varying the string sets. The above examples are all "four per string". Check this one out :
It could be qualified as a "six ... then two chords per string". Use your imagination and you'll find what works for you.
Remember also that this whole process is applicable starting from any root on the guitar neck! Take the time to learn other keys on your fretboard!
Putar senar gitar perlahan, petiklah beberapa kali(dengan tangan satunya), bandingkan dengan senar lain hingga sama nadanya, dengan ketentuan seperti berikut:
1. Nada Senar no 1(E) los senar = Nada senar no 2(B) fret ke 5 (petik senar kedua dengan jari tangan satunya menekan senar no 2 pada fret ke 5)
2. Nada Senar no 2(B) los senar = Nada senar no 3 fret ke 4 (petik senar ketiga dengan jari tangan satunya menekan senar no 3 pada fret ke 4)
3. Nada Senar no 3(G) los senar = Nada senar no 4 fret ke 5 (petik senar keempat dengan jari tangan satunya menekan senar no 4 pada fret ke 5)
4. Nada Senar no 4(D) los senar = Nada senar no 5 fret ke 5 (petik senar kelima dengan jari tangan satunya menekan senar no 5 pada fret ke 5)
5. Nada Senar no 5(A) los senar = Nada senar no 6 fret ke 5 (petik senar keenam dengan jari tangan satunya menekan senar no 6 pada fret ke 5)
Los senar adalah senar gitar hanya dipetik saja, tanpa jari kita menekan pada fretboard
Untuk aturan frekuensi nada musik baik vokal maupun instrument musik sebenarnya sudah mengikuti standar yang berlaku secara internasional Adapun nada yang dijadikan standar internasional adalah nada A dengan frekuensi 440Hz(hertz), sehingga alat musik modern(tradisional seperti gamelan misalnya tidak mengikuti standar tsb) dimanapun di dunia akan mengikuti standar tersebut. Nah pertanyaannya adalah: bagaimana kita tahu kalo nada A pada gitar ketika sudah kita stem = 440Hz? . Kita perlu menggunakan alat ukur nada yang standar, yaitu:
1. bisa menggunakan sebuah garpu tala (bisa dibeli di toko musik), cara memakainya cukup pukulkan garpu tala ke obyek tertentu(meja misalnya) maka akan berbunyi sesuai dengan nada tertentu, tiap garpu tala punya nada tertentu, biasanya C atau A(bawaan pabrik)
2. dengan menggunakan digital guitar tuner (bisa dibeli di toko musik juga), cara memakainya, biasanya ada semacam buku panduan yang disertakan ketika kita membelinya.
3. menggunakan alat musik lain sebagai perbandingan, bisa dengan keyboard misalnya.
4. dengan software musik di komputer, seperti guitarpro yang sudah menyertakan digital guitar tuner didalamnya
sebelumnya saya mw ucapin thankz buat Tikaa yang udah mampir ke Blog ini, dan masalah Chord keyboard, saya akan mencoba memposting beberapa gambar Chord dasar keyboard,,
baik langsung aja mencoba beberapa Chord keyboard di bawah ini, mudah-mudahan mudah dipelajari,
CHORD C
Chord dasar C:
Chord C#:
Chord Cm:
CHORD D
Chord dasar D:
Chord D#:
Chord Dm:
CHORD E
Chord dasar E:
Chord Em:
CHORD F
Chord dasar F:
Chord F#:
Chord Fm:
CHORD G
Chord dasar G:
Chord G#:
Chord Gm:
CHORD A
Chord dasar A:
Chord Am:
Chord A#:
CHORD B
Chord dasar B:
Chord Bm:
okey,, demikian tadi beberapa contoh chord pada Keyboard,,
This is a trailer showcasing Musicademy's Advanced Keyboards in Worship DVDs.
The DVDs will teach you how to:
* Play tasteful, well executed keyboard parts
* Find interesting piano chord voicings
* Use Hammond organ
* Play authentic string, pad and synth sounds
* Use riffs to develop effective parts
* Create melodic interest
* Use modulation and delay effects
* Replicate time-synched effects live
* Understand when and when not to play
* Ideas for two simultaneous keys players
* Make use of more keyboard sounds
* In-depth video lessons teaching multiple keys parts to 10 worship songs
* Backing tracks with and without keyboard parts to practice to
* On-screen chord charts and lyrics
This is the trailer for the Musicademy Worship Keyboards DVDs - 4 DVDs for Beginners and 3 for Intermediate players. Each DVD features 2 hours of instruction plus hints and tips from worship leaders like Tim Hughes and Matt Redman.
We teach keyboards using a chords based method which does not require the music score, instead has a more contemporary feel by playing the "guitar" chords.
There is also lots of free articles on worship keyboard playing on our website musicademy.com in the newsletter and members areas.
